This post is a captivating exploration of the power and nuances of opening lines in songs. The author takes us on a journey through various examples, analyzing their strengths and weaknesses. From the thought-provoking lyrics of Aimee Mann to the catchy theme <a href="https://spotibuzz.com/spotify-premium-mod-apk-latest-version/">song </a> of "The Nanny," each line is dissected with wit and insight. The author's personal reflections add depth to the discussion, showcasing the impact that these opening lines can have on individuals. It's refreshing to see a different perspective on the importance of beginnings and the suggestion to judge eventually, allowing for a more comprehensive understanding. Overall, this post provides an engaging and thought-provoking take on the significance of opening lines in songs, leaving readers eager to explore and appreciate the diverse range of musical introductions.
How important are the first lines of a song? You gave some great examples here. The hook isn't usually found in the first line, but they can be important. In a lot of my songs, I often aim to grab the attention of the audience. When I have sat in a bar, including in Nashville, often people are only half listening, as opposed to an open mic where you often have an attentive audience. So sometimes I will write an opening line to grab their attention. For example my song You Oughta Run (title is also the hook) starts with "One hand's got a bourbon and the other's got a gun, I'm looking for some trouble, somebody's time has come." Usually in a bar even full of drunks, people are turning around and listening. The main thread I get from your post and that I love about country music is the story telling. That's what we do, tell stories.
I knew someday, I would feel compelled to make my first post in a public forum after 30 years virulently avoiding social media. Enter "Song Friends". It was worth the wait. What Luke said.
I will add one: "The dog act got drunk again last night/and the king and the queen of the waltz clog team/ had another fight." I await your post on Maria McKee.
I know it’s called Song Friends, but I’m calling it Prairie Phone Companion. And if you ever have to step down as host, please choose your replacement very carefully.
Looks like some friends are adding their own suggested all-time best opening lines ever. I strongly encourage this behavior.
This post is a captivating exploration of the power and nuances of opening lines in songs. The author takes us on a journey through various examples, analyzing their strengths and weaknesses. From the thought-provoking lyrics of Aimee Mann to the catchy theme <a href="https://spotibuzz.com/spotify-premium-mod-apk-latest-version/">song </a> of "The Nanny," each line is dissected with wit and insight. The author's personal reflections add depth to the discussion, showcasing the impact that these opening lines can have on individuals. It's refreshing to see a different perspective on the importance of beginnings and the suggestion to judge eventually, allowing for a more comprehensive understanding. Overall, this post provides an engaging and thought-provoking take on the significance of opening lines in songs, leaving readers eager to explore and appreciate the diverse range of musical introductions.
How important are the first lines of a song? You gave some great examples here. The hook isn't usually found in the first line, but they can be important. In a lot of my songs, I often aim to grab the attention of the audience. When I have sat in a bar, including in Nashville, often people are only half listening, as opposed to an open mic where you often have an attentive audience. So sometimes I will write an opening line to grab their attention. For example my song You Oughta Run (title is also the hook) starts with "One hand's got a bourbon and the other's got a gun, I'm looking for some trouble, somebody's time has come." Usually in a bar even full of drunks, people are turning around and listening. The main thread I get from your post and that I love about country music is the story telling. That's what we do, tell stories.
How about this charmer from Arthur Lee?
"Well, the snot has caked against my pants, it has turned into crystal
There's a bluebird sitting on a branch, I guess I'll take my pistol"
- Live and Let Live from Forever Changes (1967)
This is as cool as the songs you send on Christmas.
I knew someday, I would feel compelled to make my first post in a public forum after 30 years virulently avoiding social media. Enter "Song Friends". It was worth the wait. What Luke said.
Now that’s a f-ing blog!!! Good on ya Jay Knowles!!! 🙌🏽
Once again, let the Bard of Hibbing set the scene:
'When you're lost in the rain in Juarez,
And it's Easter time too..."
And another fine opening shot from the Avians of LA:
"City girls just seem to find out early,
How to open doors with just a smile..."
“Momma said there’d be days like this” d conrad
I will add one: "The dog act got drunk again last night/and the king and the queen of the waltz clog team/ had another fight." I await your post on Maria McKee.
Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn't you?
-Bob Dylan, Like A Rolling Stone
I know it’s called Song Friends, but I’m calling it Prairie Phone Companion. And if you ever have to step down as host, please choose your replacement very carefully.
And for pure atmospherics, a couple faves, from Bobby Z, and the Fab 4, respectively:
"Mama's in the basement, mixing up the medicine,
I'm on the pavement, thinking 'bout the government."
"For the benefit of Mr. Kite, there will be a show tonight,
On trampoline..."
Lovin’ this.
Presented for your consideration, this one-two punch, from the Fitzgerald of the Four Minute Movie:
‘Take the ribbon from your hair…
Shake it loose and let it fall.”
And this roundhouse opener. And closer.
“Well, I woke up Sunday morning
With no way to hold my head that didn't hurt.”
Point. Set. Match.
You’re hilarious! This is perfect. And Barbara Ann.
Where to begin with this…so glad you exist when I do.